For fans of Cloud Atlas and The Power, a hauntingly beautiful and profoundly prescient debut set in a future where China is the sole global superpower and citizens can record and transfer memories between minds.
 
When I was a boy, my mother used to tell me stories of a world before memories could be shared between strangers…
 
Decades from now, the world is run by an authoritarian state called Qin. In Qin, every citizen is fitted with a Mindbank, an intracranial device capable of not only recording but transferring memories between minds. The technology gives birth to a new economy, referred to as Memory Capitalism, where anyone with means can relive the life experiences of others. It also unleashes opportunities for manipulation—memories can be edited, marketed, and even corrupted for personal gain.
When a man inherits his deceased mother’s Mindbank—a collection of memories from before, during, and after the global war that landed Qin atop the international food chain—he’s unsure what he’ll find inside, or whether the Party has gotten to her memories first, altering the experiences she left for him. Either way, he is adamant that he must share them with the world before they are destroyed forever, even if the cost of doing so is his own life.
 
Powerful and provocative, These Memories Do Not Belong to Us is a kaleidoscopic look into the ways in which governments and media manipulate history and control our collective imagination. It encourages us to see beyond the sheen of convenient truths to unearth real stories of struggle, sacrifice, and love that, despite all odds, refuse to be eradicated. 
 
Contributor Bio(s)
 
 
Born in Shanghai, Yiming Ma spent a decade in the tech and finance world across New York, Toronto, London, Berlin and South Africa before writing the dystopian novel THESE MEMORIES DO NOT BELONG TO US, set in a world where memories are bought and sold. He attended Stanford for his MBA and also holds an MFA from Warren Wilson College, where he was named the Carol Houck Smith Scholar. His stories and essays appear in the New York Times, The Guardian, The Florida Review, and elsewhere. His story “Swimmer of Yangtze” won the 2018 Guardian 4th Estate Story Prize. He’s a first generation immigrant and despite his travels, he’s still figuring out where home is.