Close Encounters of the Third Kind meets Annihilation in this poetic space-age fable of proletarian internationalism.
 
At the end of the twenty-first century, on the shores of the Indian Ocean, a minor Marxist politician’s speech is interrupted by the arrival of an iridescent, pill-shaped object. It brings him, briefly, to another world, and to a state of ecstasy he will struggle to interpret upon his return. Soon, many others will be offered the same incantatory opportunity. Rival states attempt to capitalize on these developments, and a cynical spy sets an elaborate psychological operation in motion. Thousands of miles away, on an agricultural commune near the Caspian Sea, a young poet spends her nights troubled by prophetic dreams. The politician, the spy, and the poet will be ineluctably drawn into one another’s orbits, as will the mysterious Bell Letterist, author of a text about ‘the interdimensional will to the aesthetic’ – a powerful motive force that requires human solidarity in order to thrive.
The Coffin of Honey is inspired equally by apocryphal stories of Alexander the Great, Bolaño-esque tales of literary vanishings, thousand-year-old Persian poems by exiled princesses, and the fever-dream conclusions of every parapolitical conspiracy theory that might just be true.
 
Contributor Bio(s)
 
Geoffrey D. Morrison is a language teacher and trade unionist who lives on unceded Squamish, Musqueam, and Tsleil-Waututh territory. His debut novel, Falling Hour (Coach House Books, 2023), was longlisted for the Dublin Literary Award and a finalist for the Ethel Wilson Fiction Prize. The Coffin of Honey is his second novel.